VIEW THE MOBILE VERSION of www.mysterystories.ca Informational Site Network Informational
Privacy
HOME  -  STORIES  -  CATEGORIES

True Stories of Modern Magic

A Conjurer's Confessions
Deception Explained By The Science Of Psychology
Facing The Arab's Pistol
Fact And Fable In Psychology
Fraudulent Spiritualism Unveiled[1]
How Spirits Materialize
How The Tricks Succeeded
Matter Through Matter
Mind Reading In Public
Second Sight
Some Famous Exposures
The Magician Who Became An Ambassador
The Man In The Iron Mask
The Methods Of A Doctor Of The Occult
The Name Of The Dead

The Lock And Key Library

A Case Of Identity
A Conjurer's Confessions
A Flight Into Texas
A Formidable Weapon
A Mystery With A Moral
A Scandal In Bohemia
A Wish Unexpectedly Gratified
Addressed To The Advocate Who Defended Him At His Trial
Adventure Of The Black Fisherman
Adventures In The Secret Service Of The Post-office Department
An Aspirant For Congress
An Erring Shepherd
An Heiress From Redhorse
An Old Game Revived
Bourgonef
By The Waters Of Paradise
Deception Explained By The Science Of Psychology
Facing The Arab's Pistol
Fact And Fable In Psychology
Fraudulent Spiritualism Unveiled[1]
His Wedded Wife
Horror: A True Tale
How Spirits Materialize
How The Tricks Succeeded
In The House Of Suddhoo
Introduction To A Mystery With A Moral
Introduction To Melmoth The Wanderer
Introduction To The Corpus Delicti
Matter Through Matter
Melmoth The Wanderer
Mind Reading In Public
My Own True Ghost Story
My Wife's Tempter
No 1 Branch Line: The Signal-man
On Being Found Out
Saint-germain The Deathless
Second Sight
Some Famous Exposures
The Avenger
The Baron's Quarry
The Closed Cabinet
The Corpus Delicti
The Dream Woman
The Fortune Of Seth Savage
The Fowl In The Pot
The Gold-bug
The Golden Ingot
The Great Valdez Sapphire
The Haunted And The Haunters Or The House And The Brain
The Hostler's Story Told By Himself
The Incantation
The Lost Duchess
The Magician Who Became An Ambassador
The Man And The Snake
The Man In The Iron Mask
The Methods Of A Doctor Of The Occult
The Minister's Black Veil
The Minor Canon
The Mortals In The House
The Name Of The Dead
The Notch On The Ax - A Story A La Mode
The Oblong Box
The Pavilion On The Links
The Pipe
The Puzzle
The Red-headed League
The Sending Of Dana Da
The Shadows On The Wall
The Story Continued By Percy Fairbank
Wieland's Madness
Wolfert Webber Or Golden Dreams



Mind Reading In Public








Not long ago I received a letter from an old-time friend, in which
he urgently requested me to make a journey to his city. In bygone
days he and I had spent many hours together, discussing the
mysteries of existence, the hidden powers which nature manifests to
us, and the origin and destiny of the human soul. My friend is a
physician, and what is more, an earnest student; and he is also an
investigator of that strange phenomenon in nature which manifests
itself in organized beings subjectively, as thought, feeling and
things spiritual.

Many times had we discussed the possibility and also the
probability of an existence of the spiritual part of man after
death. Many times had he reported to me cases of strange phenomena
that tended to prove the indestructibility of spirit.

When I received this missive, it stated to me that the writer most
earnestly desired my presence in his city, that I might assist in
investigating a very strange and marvelous case of psychic
phenomena. The case was that of a certain traveling spirit medium,
who claimed the power to summon from the realms of the invisible
the shades of our departed friends and loved ones. He gave most
marvelous exhibitions to prove his strange and miraculous power.
My friend stated that he thought he had at last found a person with
at least some queer psychical gift, if not even possessing the
power that he claimed. He had watched the exhibition most
carefully, and had even served on a committee on the psychic's
stage; and he could find no evidence of trickery of any kind. He
was inclined to believe that this strange being really possessed
the power of vision without the use of human eyes as he certainly
read sealed missives, of which he could in no secret manner have
obtained knowledge.

Accordingly, on Saturday evening, I journeyed to a city one hundred
miles away to witness the work of this modern sorcerer. On my
arrival I suggested to my friend a number of ways by which such
things could be performed by trickery, but he informed me that none
of my explanations seemed to elucidate this strange work. The
secret did not consist in the use of odorless alcohol, for the
reason that the medium never touched the sealed envelopes at all.
In fact he was never nearer to them than ten feet. This also made
it impossible for him to use the principle on which the trick is
based, which is known to the profession as "Washington Irving
Bishop's Sealed Letter Reading."

He informed me that sheets of paper or cards were passed to the
spectators in the audience, and at the same time envelopes in which
to seal their questions were furnished for them; that the
spectators wrote questions as directed, many times signing their
own names to them. He was certain that many persons folded their
written questions before sealing them, and that the operator
himself did not even collect the envelopes on many occasions. He
informed me that the best evidence of the genuineness of the
performance lay in the fact that the medium seemed to have no fixed
conditions for his experiments; but seemed to perform them in a
different manner on each occasion. The conditions were different
in every case, yet he always read the questions with the most
marvelous certainty.

I thought the matter over after this, but could in no way think of
any plausible means of accomplishing his work by trickery. I
finally decided to wait and see the performance first, and to
figure afterwards on the method employed.

Accordingly, at eight o'clock that evening I was seated in the hall
with my friend, and shortly afterwards the "Seer" made his
appearance, taking his seat on the stage. He was a very slender
personage, with long hair and a particularly ghostly look. He took
his seat quietly on the stage. In a short time his manager
appeared and made an opening address, which I will not repeat, and
then asked some boy in the audience to pass cards around to the
spectators on which they were to write questions. Envelopes were
also distributed, in which to seal the cards. When the writing was
finished, the manager asked any boy to take a hat which he held in
his hand, and collect the sealed envelopes. After the boy, whom
everyone knew to be a local resident, kindly volunteered for this
service and executed it, a committee was invited to the stage to
properly blindfold the medium. This was done in a satisfactory
manner, and the committee then returned to the audience. The
manager now led the blindfolded medium to the rear of the stage,
where he was seated somewhat behind a table, on which were some
flowers, a music box, etc. However, the medium was in view
plainly; and he never removed the bandage from his eyes or in any
manner molested it.

When the boy came on the stage directly from the front with the hat
full of sealed envelopes, the manager placed a handkerchief over
the hat and asked the boy to take a seat near the front of the
stage facing the audience. He was also directed to hold the hat in
his lap, and to deliver the envelopes to the manager, one at a
time, as he should call for them.

The operator now delivered a lecture, lasting some ten or fifteen
minutes, explaining the strange powers of the blindfolded medium,
who sat at the rear of the stage in full view; while the boy still
maintained the seat at the front of the stage, and held the hat of
envelopes in sight of all.

After the lecture, the manager requested the boy to give him one of
the envelopes, which the boy did. The manager did not look toward
it in any manner; but took it in the tips of his right fingers,
held it in the air, and asked the medium to give the writer of this
question a test. The medium shivered a few times, allowed his
frame to convulse slightly, and thus began:

"I feel the influence of one who was a brother. I get the name of
Clarence. Will the one who wrote this question identify it as
his?" There was no response from the spectators, and the medium
asked again that the writer speak out. Still silence greeted his
request; when suddenly he pointed his bony finger into the crowd,
while his blinded face confronted them, and exclaimed: "Mr. John
H----, why do you not respond to your test?" A gentleman in the
audience then acknowledged the test as his. The medium then
continued: "Clarence was drowned. I sense the cold chilly water as
it envelopes his form." At this the lady sitting with the
gentleman began to cry. The medium continued: "The drowning was
wholly an accident. There was no foul play. Now, Mr. H----, have
I answered your question, and are you satisfied with your test?"
The gentleman, a well-known citizen, acknowledged that he was
perfectly satisfied.

The manager then laid the envelope on a small table and asked the
boy for another one. The boy gave him another from the hat when
the blindfolded medium, ten feet or more distant, gave the second
test.

He shivered again and began: "I feel the influence of a young lady
who died suddenly. She says, 'Sister Mary, I am very happy, and
death was not so hard to endure. I want you to consult a good
honorable attorney, and take his advice in the lawsuit you ask me
about.'" The medium then continued, " Miss L----, your sister
regards you with a look of great tenderness and love. Are you
satisfied with your test?" A lady then replied that she certainly
was entirely convinced.

The manager now laid this sealed envelope beside the other one and
again called for another. This was continued until all of the
envelopes in the hat were removed and the questions answered. None
of the envelopes were opened. In some instances the medium first
read the questions, word for word, before answering them; and when
he did so, he described the writing minutely, even the formation of
the strokes of the letters.

After all of these tests were given, the medium removed the
blindfold and seemed much exhausted. Then the tables were removed
to one side of the stage, and a cabinet erected; after which some
cabinet manifestations that were very interesting were given. When
these were over, the manager collected the sealed envelopes from
the table, and placed them on the front of the stage, inviting the
writers to call, should they so desire, and get their questions.
Some availed themselves of this opportunity and tore open a number
of the envelopes until they found their own questions. The
audience seemed greatly impressed with this exhibition, and the
next day it was the talk of the town.

. . . . .

On the next evening I again repaired to the public hall to witness
and, if possible, fathom this performance. This time, however, I
found that an entirely different method was employed. Envelopes
and slips of paper were distributed; and after the questions were
written and sealed the manager went about the room, gathering them
up in a small black bag with a drawstring around its top. As he
gathered up each one, and while the writer still held it, he gave
to that person a number which was to serve as that particular
person's number during the tests. At the same time the manager
marked the number on the subject's envelope, while the subject held
it, drawing a circle around the figure, after which the subject
dropped the envelope into the sack.

When all were collected, the operator took the sack in the tips of
his fingers, and holding it aloft, walked up the runway to the
stage where a cord hung from a screw-eye fastened in the ceiling
above. The other end of the cord was attached to a piece of
furniture on the stage. The manager now attached the black bag
containing the envelopes to the end of this string, and then taking
the other end, drew the bag up to the ceiling near the screw-eye,
where it remained in full view during the tests.

While the manager was doing all this, the ghost-like medium had
been walking about the stage, reading in a large Bible. He now
laid the Bible on a table and advanced to the front of the stage,
while the manager delivered a lecture on spiritual philosophy and
also on the strange power of the medium. After this the manager
announced that the medium would hold a Bible service, during which
time he would give the tests.

The medium now took his Bible, and seating himself in a chair
facing the audience, began by reading a verse. After this he
closed his eyes for a time, and then gave the first test. He
began: "I will give these tests in the order in which the manager
gave you your numbers, commencing with number one. Now, Mrs. Clara
S----, I see standing near you an elderly lady, somewhat stooped;
but I cannot see her face plainly. She seems to be your mother.
She says to tell you that your son is doing well where he is, and
for you not to worry, for he will return to you in time. Are you
satisfied?" A lady in the audience was visibly affected, and
acknowledged that the medium had answered her question correctly.
The medium read another verse in the Bible, after which he gave the
second test in a manner similar to the way in which he had given
the first one. After this he read another verse, and so continued
until all the questions in the sack were answered. The manager now
lowered the sack, and emptying the envelopes into a small basket
distributed them unopened to their writers.

The effect of this exhibition was fully as great as was that of the
former one, and the medium continued to be the wonder of the town.

. . . . .

On the next evening I again attended the meeting. On this occasion
questions were written and sealed as on the former occasions. This
time the medium was dressed as a "Mahatma," wearing a large turban.
As soon as the questions were written, the manager collected them
in a small wicker basket, and emptied them on a table on the stage.
He only talked for a moment, describing what the medium would do.
During all this time the medium was seated near the front of the
stage. The medium now tapped a little bell he held in his hand, as
if summoning the spirits, and began giving the tests in the most
marvelous manner. He seemed somewhat nervous, and finally arose
and walked across the stage, stopped a moment and then continued
his walk. Meanwhile he kept giving the tests. Occasionally he
would walk about nervously, and sometimes he would seat himself in
the chair for a time; but he kept right on giving test after test,
with perfect accuracy, while the sealed envelopes remained in full
view on the table. During this time, and in fact during the time
the audience was writing the questions, neither the medium nor the
manager had ever left the sight of the spectators for even an
instant.

After all the tests were given, the medium, very much exhausted,
fell on a couch on the stage; while the manager scooped the
envelopes back into the basket, and then distributed them to their
writers in an unopened condition.

I will now explain how this "occultist" gave these various billet
tests.


We will first refer to the tests given the first evening. A boy
from the audience gathered up the sealed envelopes in a hat, and
brought them to the stage, sitting with them in his lap; while he
delivered one at a time to the manager, who held it aloft, during
which time the blindfolded medium in the rear gave the test.

There was a simple little move that escaped the eyes of the
spectators in this instance. The spectators did not know what was
to happen, neither did the boy. The move was executed as follows:
Just as the boy came on the stage with the hat the manager received
the hat in his right hand and in a natural manner. Nothing was
thought of this, as there was nothing suspicious in the act.
Meanwhile the manager directed the boy to take a chair that sat to
the left of the front of the stage, and to place it to the right
side in front, facing the audience, and to take his seat thereon.
Now, this conversation with the boy naturally occupied the
attention of the spectators; and while the boy was executing the
directions the manager turned to the table, which was somewhat back
on the stage, and apparently took a large handkerchief from it, and
with the hat still apparently in his hand, he stepped to the boy,
giving him the hat of envelopes and the handkerchief, at the same
time instructing him how to cover the hat, and how to deliver the
envelopes one at a time. All of this maneuvering seemed so natural
that the audience thought nothing whatever of it.

Now, as the manager turned to the table to get the handkerchief,
and while most eyes were on the boy as he placed his chair and took
his seat, the manager deftly exchanged the hat in his right hand
for another hat just like it, that was filled with "dummy"
envelopes and which was behind the flowers, music box, etc., on the
table. As he immediately turned with the hat apparently still in
his hand, but with a large handkerchief in his other hand,
everything seemed natural and the audience thought nothing of the
incident.

The manager now, after giving the boy the hat and handkerchief,
invited a committee to come forward and blindfold the medium who
had been seated at the left of the stage. The committee first
placed a lady's glove on the eyes of the medium as an additional
precaution, and then placed a handkerchief over this and tied it
behind his head. This method of blindfolding is the one usually
employed by most mediums. If the face of the medium be properly
formed, he can easily shift such a bandage with his eyebrows,
sufficiently to see directly under his eyes, by looking down
alongside his nose. The committee now retired to the audience, and
the performer led the medium to a seat behind the table.

Now, while the manager delivered the lengthy lecture, the medium
quietly tilted over the hat of envelopes behind the objects on the
table; and then taking one at a time, opened the envelopes and
removed the cards, arranging the cards on top of each other like a
pack of playing cards. The lecture lasted long enough for the
medium to complete this task; and as he held the cards in his left
hand, he could now move slightly to the right so that he was pretty
well in view of the spectators. However, his left hand did not
come into view.

By the time the lecture was completed, the spectators had entirely
forgotten the fact that the manager ever received the hat from the
boy at all. In fact, next day I noticed from the talk of the
spectators, that they invariably asserted that the hat never left
the boy's hands or their sight.

Now, while the manager held each envelope aloft, the medium had but
to read the top card in his left hand and give the tests in a
dramatic manner. After the tests, when the tables were set to one
side and a cabinet erected, an assistant out of view received the
cards from the medium's left hand; and then while behind the
scenes, replaced them in envelopes, sealed them, and then exchanged
these for the "dummy" envelopes on the small table. After the
entertainment the manager placed the originals (now again sealed)
near the front of the stage for the writers to take and keep as
souvenirs if they should so desire.

It is evident that this method could be varied a little. For
instance, when the manager holds the envelope aloft, the medium
could first read it and carefully describe the writing. He could
then ask for the envelope, so as to become en rapport with the
writer, in order that he may give the correct answer. In this case
he could leave the surplus cards on the back of the table behind
the music box, and have in his left palm only the single card he is
reading. When he receives the envelope he should place it in his
left hand directly over the card and tear off the end of the
envelope. He should then apparently take out the card from the
envelope, but in reality take the original card from the rear of
the envelope with his right hand. He should then with his right
hand press this card on top of his head and give the answer, while
his left hand lays the opened envelope on the table or music box.
In this case, as soon as he answers the question, he should return
the card to the manager with his right hand and ask the manager to
have some boy run with it to its writer. After it is returned to
its writer, the manager can hold aloft another envelope and the
medium continue with the tests. After the tests, the manager
should remove the torn envelopes, as they contain "dummy" cards.

I will now explain the method pursued on the second evening. After
the questions were written and sealed, the manager went among the
spectators collecting the envelopes in a cloth bag. He first
numbered the envelopes, at the same time instructing each spectator
to remember his number, after which the envelopes were dropped into
the bag. When all the envelopes were collected, the manager lifted
the bag in the tips of his fingers and ascended to the stage with
it in plain view. He quickly attached it to the cord and drew it
up to the ceiling. So far all was fair; but just at this moment a
person in the rear of the hall made the statement that he desired
to place his envelope in the bag also. The performer asked a
gentleman on the floor to take the bag, which he now lowered and
detached, and to kindly go to the gentleman and get his envelope.
While he was doing this the manager held the audience by his
discourse. The two gentlemen were, of course, paid confederates;
and when they met behind the spectators, they merely exchanged the
first bag for a duplicate under the coat of the rear confederate,
who then slipped around behind the stage with the original.

When the other confederate returned to the stage with the duplicate
bag and handed it to the manager he ran this one up to the ceiling.
This method can be varied by the manager making the exchange under
his own coat in the first place when in the rear of the hall after
collecting the envelopes.

Meanwhile an assistant behind the scenes opened and copied the
questions neatly on a sheet of paper, and NUMBERED EACH ONE. As he
did this he slipped each one into a duplicate envelope, which was
also numbered by the manager with a ring drawn around the figure.
This he sealed. As soon as all were copied this assistant
carefully drew the medium's Bible just out of sight from the table
near the flies where it rested, inserted the sheet containing the
copied questions, and pushed it back into view again.

During this time the medium was walking slowly about at the front
of the stage while the manager delivered his lecture. At the close
of the lecture the medium stepped back to the table where he had
laid his Bible a short time before, picked it up and came forward
taking a seat facing the audience. He next opened the Bible and
turned the leaves over slowly, passing the sheet of paper and
reading and memorizing the first question quickly. He then turned
the leaves beyond this sheet of paper and finally selected a verse
and began reading it impressively. As he read this verse he
allowed the Bible to tilt forward sufficiently for the spectators
to see that there was nothing like a loose sheet in it, should such
an idea occur to anyone.

As he had turned over other pages after secretly reading the
question, the sheet was hidden from view. After reading the verse
he allowed the Bible to close, and then closing his eyes gave the
test for number one. After this he again opened the Bible and
turned the leaves through it slowly, read the second question
secretly, and finally found a second verse, which he proceeded to
read in a solemn tone, he then gave a second test, and so continued
until all the tests were given. He then lay down very much
exhausted, and the manager lowered the cloth bag containing the
dummy envelopes, and emptied them upon a small table near the front
of the stage. He then stepped to the rear of the stage and picked
up a little wicker basket, into which he scooped the dummy
envelopes from the small table where they lay in full view. He now
descended and rapidly returned the unopened envelopes to their
respective writers.

The basket is what is known as a "Billet changing basket." It is
lined with red satin and is a small affair with straight sloping
sides. It has a handle which, when down, locks two flaps up
against the sides of the basket. This is done by two little
projections on the base ends of the handle. They are of wire and
are bent into such shape that they project downward when the handle
is down, and hold the two side flaps up against the sides. These
flaps are of pasteboard, and are covered with red satin the same as
the basket lining. There is a spring in each flap which closes it
upon the bottom of the basket when it is released by raising the
handle. Envelopes in the bottom of the basket are thus hidden and
retained, when the flaps are released, and the duplicates drop into
the basket, from the sides where they were concealed by the flaps.

This basket can be supplied by the conjuring depots, or it can
easily be made. The handle can be made of wire and wrapped with
raffia grass which is on sale at the department stores. A
pasteboard lining covered with red satin must first be sewed into
the basket, and then two flaps of pasteboard should be hinged to a
pasteboard bottom by pasting on a hinge of cloth. A suitable
spring can be made of spring wire and sewed into position, after
which this is all covered with red satin and placed in the basket.
The basket should have sides about four inches high, and the bottom
should measure about seven and one-half by ten inches. The sides
and ends slope outward, and the basket is open wicker work.
Suitable bows of ribbon on the ends of the handle and corners of
the basket conceal the mechanism.

In the present instance, the assistant behind the scenes, after
reading and placing the questions in duplicate envelopes which the
manager had previously numbered, sealed them and placed them in the
sides of the basket, bent up the flaps into position, and lowered
the handle locking them in place. He now pushed this basket into
view on a table at the rear of the stage; and when the manager was
ready to return the envelopes, he scooped the dummy envelopes from
the table (where they lay after the bag was emptied) into this
basket. He then lifted the handle which released the flaps,
covered up the dummy envelopes and dropped the originals into view.
These he took down and quickly distributed to the writers. Being
numbered, this could be quickly done.

. . . . .

I will now describe the method employed on the third evening. This
time dummy envelopes were placed in the sides of the basket, and
the handle left in a lowered position while the operator gathered
up the envelopes. As the manager returned to the stage he took the
basket by the handle. This released the dummy envelopes, and
covered up the originals retaining them. He emptied the dummy
envelopes upon the small table and then laid the basket on a table
near the flies in the rear, and rather out of view. An assistant
behind the scenes took out the original envelopes, opened them, and
as he read the questions repeated them into a small telephone. The
wires from this telephone ran under the stage carpet to a pair of
metal plates with a tack in the center of each plate which pointed
upward. These plates were located under certain spots in the
carpet and directly in front of the medium's chair. There were
also two other pairs of wires leading to two other positions on the
stage. The medium was dressed as a "Mahatma" on this evening,
wearing a large turban. A large tassel dangled by his left ear,
completely concealing a small "watch-case receiver" which was
attached to this ear. Two tiny wires led from this receiver,
inside his collar, down his person, and were connected inside his
shoes to other wires which penetrated the soles of his shoes.
These latter wires were soldered to copper plates which were tacked
into position on his shoe soles. He now took his position in the
chair and placed his feet over the hidden tacks, which now
contacted his shoe plates, completing the circuit, so that anything
whispered into the telephone on the stage was repeated in his ear.
He then gave a few tests, tapping his spirit bell, which was a
signal for more information from the assistant.

He soon grew nervous and walked away giving a test as he walked.
He now paused in a certain position for a moment, placing his hand
to his head as if somewhat dazed and tapping his bell. In this
position his feet were again over two concealed tacks, and he again
secured information for another test, which he gave as he walked
about. He now paused in a third position and gave another test,
after which he returned to the chair, continuing his work. This
maneuvering he kept up until all the tests were given; after which
he fell upon a couch exhausted, but with his feet from the
spectators.

The manager now stepped to the rear of the stage and took the
basket, which was now in place containing the original (?)
envelopes behind the flaps; and stepping to the small table he
scooped in the dummy envelopes; then taking the basket by the
handles, he stepped down the runway and rapidly returned the
unopened (?) envelopes to their writers. The assistant had, of
course, sealed the questions in duplicate envelopes previously
numbered by the manager. He had placed these behind the flaps, and
shoved the basket into view on a table at the rear of the stage.


I use a variation of these tricks in my double parlors. I have
made a "billet changing basket" as above described, and have also
made a similar basket except that it contains no mechanism.

I pass cards and envelopes to the spectators in the front parlor.
When the questions are written and sealed in the envelopes, I
gather them up in the mechanical basket; I step to a table in the
rear parlor and apparently empty them upon it. In reality, I have
just raised the handle so that the originals are retained, and the
dummy envelopes are emptied on the table instead.

I now step to an adjoining room for an instant, to get a small
decorated screen. I secretly leave the basket containing the
original envelopes in this room and return with the other basket in
my hand in its place. I place the small ornamental screen on the
table back of the envelopes, but leave the envelopes in view and
request the spectators to notice that I do not go near them until I
get ready to give the tests. I now carelessly lay the non-
mechanical basket on a table in the room where the spectators are
and proceed with some other tricks.

Usually I give the series of experiments described in the chapter
entitled "Mediumistic Reading of Sealed Writings." I state to the
spectators that I will not give the tests for the sealed envelopes
until later in the evening.

Meanwhile, should anyone think of such a thing, he can easily
examine the little basket, which he thinks I have just used; as it
still lies on the table in the front parlor with other discarded
paraphernalia, including slates, etc. I use no assistant; so after
a time has elapsed, and when by the performance of other sealed
readings, suspicion has been diverted from the tests with the
billets, my wife retires on some trifling errand. While out, she
opens the envelopes in the basket, prepares the sheet of questions,
and places it in the Bible; then she re-seals the questions in
envelopes previously marked by me, places them in the sides of the
basket, raises the flaps and lowers the handle. She then usually
enters with some light refreshments for the spectators, which
explains her absence with a word.

I continue with other experiments for ten or fifteen minutes after
her return; then I gather up my surplus paraphernalia, including
the dummy basket, and carry all to the room adjoining the back
parlor, where I leave it. I return instantly with the mechanical
basket which I place near my own table; and then I give another
experiment of some kind.

I now pick up the basket and announce that I have decided to return
to their writers the envelopes on the table in front of the screen
before attempting to give the tests. I do this as if it were a
later notion. I now scoop in the dummy envelopes, and raise the
handle, which action covers them up and releases the originals (now
sealed). I now distribute to the writers their envelopes, which I
can do, as they are numbered as described earlier in this chapter.
I request each sitter to hold his envelope until I shall give his
test. Then I usually perform some other little experiment before
giving the tests.

I now take up my Bible, which I will stake I brought into the room,
unnoticed, when I returned with the last basket. I then seat
myself and leisurely turn the leaves through the Bible, reading
verses, and giving the tests as before described.

I always first read a question secretly, and then turn by the sheet
of paper and begin reading a verse of Scripture. As I do this I
permit the front of the Bible to lower enough for the spectators to
see the printed pages. This prevents suspicion. Meanwhile, the
spectators have forgotten that I ever stepped from the room at all
with the basket, and even that my wife retired for some
refreshments. Neither did they notice the Bible when I brought it
in.

The effect on each person, as I call him by name and describe the
"influence" of his "dear one," giving names and most marvelous
information, is far superior to what it would be were I merely to
read the questions literally, and give the answers.





Next: Some Famous Exposures

Previous: The Name Of The Dead



Add to del.icio.us Add to Reddit Add to Digg Add to Del.icio.us Add to Google Add to Twitter Add to Stumble Upon
Add to Informational Site Network
Report
Privacy
SHAREADD TO EBOOK


Viewed 1873